AUGUST RUSH SCRIPT PDF MOVIE
Some producers will finally say, “Fuck it,” and go to the C-project in order to get the movie made. That could be a yes! But then 4 months down the line, they get back to you and tell you they’re not interested, and there goes 4 months. That could be a yes! This B-level actor is reading the script. This A-level director is reading the script. The thing that takes so long is you always seem to be teased into thinking you’re going to get the A or the B project going. As much as I love myself some Jason Statham, he’s C-project all the way. When both the As and the Bs ignore you, you eventually have to settle for the C-project. Granted, that’s as good as a B-project as you’re going to get, but it’s still a B-project. But those guys bailed, and they decided to go with the B-project – Danny Boyle and Michael Fassbender. Originally, that movie was David Fincher and Christian Bale. So after trying to lure those stars in unsuccessfully, you go to the B-project, which is much easier to set up. Unfortunately, everybody wants those people. They want David Fincher or Ridley Scott, and they want Leonardo DiCaprio or Ryan Gosling. When producers have a script, they want the A-project.
So why hasn’t Meg been made yet despite the movie-friendly premise? One thing I’m realizing is that, with a producer’s desire to make a movie, there is the A-project, the B-project, and the C-project version of said movie. “How in God’s name do you know that? Are you the father?” Seriously? Can we start counting the money already? She can feel the electric charge of her prey’s beating heart from hundreds of miles away.”Ĭome on. Does a movie sell itself any better than that? I mean, it’s a fucking dinosaur shark in modern day. Why it’s taken Meg so long to become a movie, I have no idea. Jesus, this script was designed for trailer lines. “No Commander, she isn’t a shark, she’s a Goddamn war machine.” Writer: Tom Wheeler (adapted from the novel by Steve Alten).ĭetails: 117 pages – first draft – undated The movie you’ll be seeing in theaters, however, was written (adapted) by Dean Georgaris (Lara Croft Tomb Raider: The Cradle of Life) with a rewrite by mega-writer James Vanderbilt (White House Down).
AUGUST RUSH SCRIPT PDF TV
He also created the 2011 TV series, The Cape. Tom Wheeler, the writer here, wrote Puss in Boots for Dreamworks.
But this particular project has been in the works for over a decade, and today’s script is not only a previous take on the concept, but a first draft. Normally, that’s all you would need to know. Premise: The Megalodon is a giant prehistoric shark thought to be extinct for millions of years.
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